Gems from Kilns: Shiwan Ceramics from the Macao Museum of Art Collection

SHIWAN FIGURINES: BRIDGING ANCIENT AND MODERN, AN EXPLORATION OF EAST-WEST CONVERGENCE

Shiwan pottery figurines, known as ‘Shiwan figurines’ in Guangdong, represent a hallmark of Lingnan ceramic art. The uniqueness of these figurines lies in their clay modelling and the application of glazes. The faces and limbs are left unglazed, preserving the original clay texture. This ‘unglazed body’ technique allows for detailed rendering of skin textures, imbuing the sculptures with a lifelike quality. This enhances emotional expressions and highlights the beauty of the glaze itself – the most notable feature of all Shiwan figurines. An early work showcasing the sophistication of these pottery techniques is the set of 18 seated arhat figures that are housed in the Palace Museum in Beijing. Scholars estimate that these pieces date back to the 17th century. They showcase the early use of pomegranate red glaze and exemplify how the ‘unglazed body’ was a mark of expert craftsmanship in Shiwan figurines.  

Early themes of Shiwan figurines predominantly involved deities, gods, folktales, and operatic stories, all infused with rich religious and folkloric significance. However, by the late Qing and early Republican periods, the subject matter expanded to include historical figures, notable personalities, ordinary people, and even foreigners. This shift reflected the evolving social landscape and the inclusive nature of the Lingnan culture, marking a significant transformation in the history of Shiwan pottery. 

During the late Qing and early Republican periods, Shiwan pottery sculptures began incorporating Western sculptural techniques, preserving traditional folk characteristics while simultaneously enabling greater expression of traditional themes. This fusion of Eastern and Western styles paved the way for new directions of Shiwan pottery in the 20th century. The large figurative works by Pan Yushu and Chen Weiyan featured in this exhibition stand as significant testimonies to this period of transformation and new horizons.

<p>Hua Tuo<br />
Pan Yushu, Chen Weiyan<br />
Early 20th century<br />
Height ︰ 74 cm</p>

Hua Tuo
Pan Yushu, Chen Weiyan
Early 20th century
Height ︰ 74 cm

<p>Iron-Crutch Li<br />
Huang Bing<br />
Late Qing dynasty (1851 - 1911)<br />
Height ︰ 67.5 cm</p>

Iron-Crutch Li
Huang Bing
Late Qing dynasty (1851 - 1911)
Height ︰ 67.5 cm

<p>Imperial Concubine After Bathing<br />
Pan Yushu<br />
Early 20th century<br />
Height ︰ 36 cm</p>

Imperial Concubine After Bathing
Pan Yushu
Early 20th century
Height ︰ 36 cm

<p>Zhuge Liang<br />
Liu Chuan<br />
1980s<br />
Height ︰ 32 cm</p>

Zhuge Liang
Liu Chuan
1980s
Height ︰ 32 cm

<p>Tao Yuanming<br />
Liu Ousheng<br />
Mid-1980s<br />
Height ︰ 23.5 cm<br />
Donated by K.Y. Lau and Diana Lau</p>

Tao Yuanming
Liu Ousheng
Mid-1980s
Height ︰ 23.5 cm
Donated by K.Y. Lau and Diana Lau

<p>Bodhidharma<br />
Anonymous<br />
Late Qing dynasty (1851 – 1911)<br />
Height ︰ 32 cm</p>

Bodhidharma
Anonymous
Late Qing dynasty (1851 – 1911)
Height ︰ 32 cm

4th floor Macao Museum of Art

Duration:
2025/04/16 - 2025/10/07